Page 325 - The Mirror of My Soul. Vol. 1

Nicolai Levashov. The Mirror of My Soul. Vol. 1. Born in the USSR

had made an attempt to take the gold, they now considered to be theirs or even only

hinted at it, they would have killed them. Regrettably, this is also in human nature, but,
fortunately, not all humans are like this.

During one of my performances I decided to displace people not into the past, but
the present. A “Volga” appeared at the stage with its tyre punctured and I suggested
changing it. Several per-sons took part in this work. Some people took a jack and raised
the car in order to take off the wheel, someone took a wrench and unscrewed fixing bolts,
someone else dragged the new wheel! At the same time every participant in this
“operation”, which required certain physical efforts, sweated and their muscles trembled
with tension when they tightened fixing bolts. In short, the whole process looked exactly
like the replacement of any real wheel.

Later, when some professionals watched the record of this process, they were
shocked by what they had seen. All the movements of the people who changed the wheel
coincided in detail with real ones. The position of fixing bolts on the wheel corresponded
to their position in the real car. The experts saw nothing on the TV screen, except for an
empty space, but people who “worked” on the stage saw a real “Volga” and also felt the
hardness and coolness of its body, the warmth of the punctured rubber, the “tightness”
of firmly screwed fixing bolts. For them the car at the stage was absolutely real and

tangible by all their sense-organs, just as other participants smelled and tasted the dishes
and felt the weight of sacks filled with gold which they could only drag along the floor,
because they were real for them!

During my second visit I carried out my performances in accordance with the same
principle, which I used on my first, when I decided to unite a cognitive lecture, health
sessions and a “circus” in a single whole! This merging of dramatically different things
appeared to be very successful. Almost every performance ended at almost midnight and
after that people waited for me with their illnesses.

Many people asked Svetlana for help too, especially women with breast cancer.

Svetlana did not have enough experience in healing this kind of disease, but her kind
heart could not refuse to respond to an appeal for help. But during this work emotions
are impermissible! One must feel emotions only before or after a healing influence. If
one allows oneself to feel emotions during this process, one should expect problems,
which is precisely what happened with Svetlana.

She worked on a woman with breast cancer and the following day she had a pretty
large tumour in the same place that the woman had it. Naturally, Svetlana was not happy
about this, but she did not become panic-stricken, as could have been expected in this
case, and not because she was sure that I would take this tumour away, but because she
always had the character of a fighter, in spite of the fact that she is totally feminine!
Staying calm until the tumour disappeared could not be easy. I immediately began work
on the elimination of it, because tumours “received” this way usually grew like
mushrooms after the rain. When it happened, my recommendation was that Svetlana
should not do anymore influencing.

People were not very happy when Svetlana said that she would not give her medical
sessions. I found it very surprising, but when people are worried exclusively about

themselves—they are eager to get what they need, even if another person could suffer
for it. Certainly, the desire to be healthy and to evade a death sentence is totally

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