Page 261 - The Mirror of My Soul. Vol. 1

Nicolai Levashov. The Mirror of My Soul. Vol. 1. Born in the USSR

Applying different methods of influence, I made it so that people could not lift their

leg from the floor, or would run against an invisible wall and not be able get through it.
All this was accompanied with inoffensive jokes and humorous sayings. Everyone
laughed—the participants on the stage, the audience in the auditorium and I. Then I
shifted people into the past, they ran away from dinosaurs, battled with Roman gladiators
and did a lot of other things. At the same time they all kept their independent thinking
and acted in these realities according to their character and under-standing.

The audience every now and then burst into loud laughter. I also laughed with them.
In fact, it was impossible to predict people’s reactions, and I did not aim to do this. There
were a lot of funny situations as a result of people doing things which I could not even
imagine. In short, I had the audience’s total attention and, when I next influenced people,
I also explained to them what happened in reality! At the end of my performance I put a
curative influence on the whole audience accompanying it with Jean-Michel Jarre’s
music.

And again, I used the force of my influence intended for the average level of
perception, and even after this there were several dozen people for whom this influence
appeared too powerful and they “became disconnected”, submerging in an intermediate
state between coma and clinical death. It turned out that my influence simply “blew”
their spirits out of their physical bodies like a strong wind blows a hat from a head.

After this I came down from the stage and returned everyone to their bodies. As a
result of this, my performance finished at eleven o’clock and I reached the hotel around
midnight. Although I was a little tired, I was very content with the solution I found,
which allowed me to “feed” every-one with what he came for and at the same time to
give them what I wanted—the elements of knowledge and understanding of the fact that

man was somewhat greater than only a physical body. I also intended to convey that man
had forces which animals simply could not have, that these forces were real and they
could not fit into the concepts which were imposed on the masses by social parasites for
the purpose of easy control.

Certainly, not everyone understood everything and those, who thought that they
understood, in reality only touched on the understanding, but, nevertheless, it was the
beginning of the awakening and it was wonderful. Next evening the auditorium was
crowded, evidently the rumours about my “wonders” began to spread in Archangelsk. I
conducted my performance in the same way, trying not to repeat myself, every time
inventing new variants of my influence and new “tasks” for people on the stage.

For example, when I shifted a person to the past, the ordinary reality disappeared
for him and he appeared in the reality of the past, as if he fell through, however,
everything and everyone remained the same. If I shifted several persons simultaneously,
they appeared in the same reality having their complete consciousness, their own

perception and individual conduct. I did not impose on them one or another algorithm
of conduct, everyone acted according to their own understanding.

At the same time they perceived adequately what was going on in that reality. If
they appeared in the reality with dinosaurs, they saw them and heard the sounds that
these animals uttered. They were aware of smells and all other nuances of that reality.
With all this going on, they all saw and acted in one and the same reality, not each in

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