Page 260 - The Mirror of My Soul. Vol. 1

Nicolai Levashov. The Mirror of My Soul. Vol. 1. Born in the USSR

performance was the awakening of people. But many slept and did not wish to wake up;

on the contrary, they wanted to continue “sleeping”. These people were not interested in
understanding the nature of things. They only wanted to see a show and nothing else.
Another part of the audience wanted only a health session. Those who searched for
under-standing were an underwhelming minority. I understood it very quickly, as soon
as I began the performance. I felt the whole audience, all their emotions and ideas and
understood that I should find a solution to this seemingly insoluble problem—to give
every spectator everything he or she came for plus what was necessary for awakening.

To every spectator... but there were at least three groups of spectators: those who
came to see the show or “circus”, as I call it; those who came to get treatment and get
rid of their health problems in between times; and those who were seeking the
understanding of things, however minor. And I had to give them all that simultaneously
during one performance. I had to create the tactic and strategy of my performance in
“field” conditions. Without interrupting the performance, I thought I would try those
experiments which I performed in the army and university.

I acted casually and decided to use the idea. I asked the audience to take part in an
experiment and asked all who wished to, to put their hands together and accompanied
by Jean-Michel Jarre’s wonderful music influenced the whole auditorium, helping
people to be attuned to my voice. Combining hypnosis with direct influence on the
audiences’ muscles I tried to obtain its maximal reaction. My words helped to tune
people in more quickly to the state which was needed for maximally effective influence.

All this took a couple of minutes, whereupon I asked those who had their hands
“jammed” together to come to the stage. The point is that when a person is sensitive
enough, his flexors will stop obeying him and only I could take off this muscle blockade.
I had made the influence of average power to cover as many people as possible and at

the same time not to overload the most sensitive.

As a result of my action, several dozen who were unable to free their hands
appeared on the stage. I released all of them from their unusual “handcuffs”,
implementing several methods. Some were freed by verbal influence, others—mentally
and some—by influencing the brain areas which control the body’s muscles. And after
this, using my voluntary helpers, I began to demonstrate to the audience different
methods of influencing man, explaining the differences and similarity in these methods.

I tried to show and prove that ordinary hypnosis was the most primitive method of
influencing man, that many other methods also exist, when no one stares into anyone’s
eyes in order to put them into a hypnotic sleep; when a person can speak in a quite
ordinary voice without goggling his eyes; when another person, without his immersion
in the hypnotic state and prima facie completely keeping his independence, would do
everything he was ordered to do and would not even suspect that he executed other
person’s commands, being quite sure that he acted according to his own free will and

understanding.

I also tried to show that exactly the same result could be obtained, when there was
no one standing near and saying anything, but nevertheless, the orders were executed.
Right there on the stage I transformed people’s brains and they began to see other
people’s internal organs and accurately diagnose health problems in people they never
knew.

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